Paintings | Sebastian

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Tempest. 2024. Oil on canvas. 246 X 152 cm.

Time Chasm. 2023. Oil on canvas. 130 X 89 cm.

Interlinked Horizons I (dow-right section). 2020. Oil on Wood. 1200 X 2500 cm..jpg

Interlinked Horizons 2020. Oil on Wood. 121 X 243 cm.

Transiciones. 2023. Oil on Canvas. 130 X 89 cm

This work is one of the projections of a narrative that seeks to recover the context of life in time. “Transitions” is a map for its audience to get lost and, being adrift, take the time to contemplate the present. A sigh that fades as the transitions of what could have been and what could be are found.

“Que acaso no somos eso… Navegantes en la ilusión de este sinsentido. Surcando horizontes de emoción. Navegantes contemplando suspiros. En la presente transición.”

Puedes llegar a descubrir un universo. La historia de todo lo que fuiste, lo que eres y aún no has sido. Un universo humanamente contenido por esta pintura. Una pintura tremendamente entrelazada con todos los que viven, los que vivieron y aquellos que aún no conoces. Te encuentras aquí y ahora, frente a mí flotando en la luz de tu presente. Indistinto contemplas los soles que brillaron en tu ayer y aquellos que probablemente brillen mañana. Efímero, en este único momento frente a mí. En el ahora mueres y vuelves a nacer.

El Ahora. 2022. Oil on canvas. 90 X 60 cm..jpg

El Ahora. 2022. Oil on Canvas. 65 X 90 cm.

Donated to the Goodenough, London

El Cazador de Haibas. 2020. Oil on canvas. 90 X 60 cm.jpg

El Cazador de Haibas. 2020. Oil on Canvas. 65 X 90 cm.

Water Front. 2021. Oil on canvas. 90 X 60 cm.jpg

Water Front. 2021. Oil on Canvas. 65 X 90 cm.

This work presents what the author calls the fundamental figure. A mathematical construct where energetic exchanges occur that set the tone for what is humanly imaginable and possible. Likewise, the work represents the doors of perception under which we come to observe the outcomes of the fundamental figure. In this painting, the author presents the relationship between the perception of the humanly infinite and the concrete, contained under the clouds of our understanding; our ontological level of consciousness. The fundamental figure is subject to everything and nothing, dancing in the vibrant rhythm of time.

Perception Cuts 2023. Oil on Canvas. 60 X 92 cm.

The painting appeals to observe as if our gaze were passing through a window, promoting a narrative aimed at interconnecting the most personal human experience with the counterweights of external reality. It invokes a game of mirrors where the audience participates in an indispensable debate to harmonize the languages and constructs we have created to make sense of the uncontrolled way in which we have fallen into the world. Our role of assimilation in the face of the divine is evident, through a proposal that unites the science and philosophy of our time. In the painting there are references that interconnect Christianity, Islam, Judaism and Hinduism. Likewise, it points out references to concepts of mathematics, astrophysics, physics and finance. References to philosophy come to life when the work is observed in an internal and collective debate.